#samueljean
http://www.klarthe.com/images/2017_08_Diapason_SADMP.JPG
« His air of "Cartes de visite" [...], his air of "enchères" [...], are regulated as a goldsmith by the baton of Samuel Jean. A delight."
Diapason, François Laurent
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http://www.klarthe.com/images/2018_02_Operamag_SADMP.jpg
« The Orchestre Régional Avignon Provence, under the baton of the dynamic Samuel Jean, proves that it can now play in the first category and support the movement of this comedy, a delightful compendium of madness and charm.. »
Opéra Magazine, Jacques Bonnaure
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http://www.klarthe.com/images/2017_09_classsica_SADMP.JPG
« We also appreciate the high level of the Avignonnais Orchestra conducted by Samuel Jean, which gives a delicious dynamic to this rediscovered jewel. »
Classica, Cristiana Prerio
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https://www.forumopera.com/cd/la-societe-anonyme-des-messieurs-prudents-sourire-aux-levres
« Samuel Jean, at the head of the Orchestre d'Avignon, gives back to this music the variety of its colors, which is very happy. »
Forumopéra, Laurent Bury
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​https://www.resmusica.com/2017/09/19/limmoralite-decomplexee-de-la-s-a-d-m-p/
« IIsabelle Druet sees herself ideally surrounded by a good Orchestre Régional Avignon-Provence under the delicately militant baton of Samuel Jean. (jusque dans le Hue ! final, pioché dans le catalogue de Beyts)… »
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« Samuel Jean carries, nuance, caresses a joust and a facetious and playful verbal arena. Here again, the ease and intelligence of a woven wand for eloquence and suggestion. Here, the light neighbour with poetic magic. Even in a selective version, the discographic production enchants, captivates, convinces. »
Classiquenews, Hugo Papbst
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«Listening to the Orchestre régional Avignon-Provence, conducted with taste by Samuel Jean, one can perceive at any time its aesthetic finesse (nods to the references of the genre) and its dramatic efficiency (from the brass instruments to the piano). »
Le Monde, Pierre Gervasoni
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http://le-babillard.fr/page.php?p=article&cd=158
" Samuel Jean's conducting does honour to the score, underlining its beauties - especially those of the orchestration - without ever sinking into over-excitement or epidicticism. And precisely, the Orchestre Régional Avignon-Provence proves to be excellent here, knowing how to vary the colours, to make the rhythm jump without ever lacking precision or appearing vulgar. »
Le Babillard, Loïc Chahine
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« The Orchestre d'Avignon-Provence, the five singers - Thomas Dolié, Mathias Vidal, Jérome Billy, Dominique Côté embodying the four members and Isabelle Druet the main asset of the company in question - are obviously having a blast. »
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https://www.crescendo-magazine.be/lage-dor-de-la-musique-francaise-sexprime-aussi-dans-loperette/
« Samuel Jean leads this little world with gusto, and never covers the singers so that the listener can fully appreciate Guitry's lyrics, sometimes more spoken than sung, but always hilarious. »
Crescendo Magazine, Bruno Peeters
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https://www.pizzicato.lu/spritzig-charmante-guitry-komodie/
« With a good instrumentation and the alert playing 'Orchestre Régional Avignon-Provence' a splendid recording was made, which expresses Guitry's fine humour perfectly.»
Pizzicato, Remy Franck
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https://www.asopera.fr/fr/cd-dvd/1513-la-societe-anonyme-des-messieurs-prudents.html
« Samuel Jean and the musicians of the Orchestre Régional Avignon-Provence best serve Beydts' score, which includes a few beautifully shot melodies and a lively overture whose rhythm is immediately ingrained in the memory. »
Avant-Scène Opéra, Louis Billodeau